Feelings (or the feeling of feeling) are all there, but when applied to a photo of yourself, or a picture of someone else, is usually the most important. I have a lot of photos of my own, most of which are taken the day I left home with a full-size canvas, and then every few days I have a picture taken with the canvas and a frame of the canvas.
This is probably the most important piece of the puzzle for us to get to. A picture of a photographer on a beach with an image of a bird on it was probably pretty much the most important. We’d probably be trying to figure out how to get the bird to do something that looks like a photograph of a human being, and if we managed to do that, it would be really interesting for us.
Actually, we should probably be focusing on the image here to get to the bird. Wed’s trying to figure out how to make the whole thing work, so just getting a picture of him is the most important thing.
I can’t tell you how many times I’ve wanted to point one of my shots out to someone and say, “Hey, that’s my best ever picture, it’s gorgeous.” But I’m really sure that if I try, Weds might say, “Wow, that’s a really good image. This is the biggest picture I’ve ever taken.” But I’m sure he’d say, “I just took a bunch of pictures of this same bird and put them all together.
The best thing about this picture is that it’s only been taken once. But if you put this bird’s picture in a photo archive, it might go back to the time before Weds was born.
The point is, when you take a picture, you’re creating a story. And in the story you create, you put a point of view on it. And that point of view is determined by your feelings about the picture. It is our job, as photographers of the human face, to put ourselves into the other person’s head.
Of course, in the story we created, we put our own feelings and emotions above all. It was almost as if we were the photographer, too. That is how we tell stories. We take shots, we put them in a gallery. We create a story. And if we create a story that isn’t our own, it might not be our story. But we put all of the emotions we have on the picture. And that means we are the story.
We created a story, but it was our story. We were a part of it, we created a part of it. We created a part of our own story. We didn’t create it. As a photographer of the human face, the story is the same, but the emotional aspect of the story is the other part. It is not our story and it is not ours. It is a part of the story of the other persons head.
Our story is a story of the other persons head. The emotional aspect of the story is our story. A story of the other persons head. And if our story is the one of the other persons head, then it is the story of that person.
The emotional aspect of our story is our story. We feel the emotion of the other persons head. We feel their emotions. It is our story. And the other persons head feels ours.